blog.oneteneleven.com

A dose of design inspiration, tips, techniques & studio news
curated by oneteneleven.com

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Generisch Mono @YWFT

Generisch Mono is a monospaced version of Generisch Sans . Generisch – a german equivalent of generic – sans serif typeface has gain its own place among designers and earn such popularity due to its “simple” design. Generisch is influenced by early grotesk typefaces from early 1900’s when sans was starting to get popular and used as a body […]

Codec Pro @YWFT

Codec Pro is the newest incarnation of the Codec family, developed in 2017 by Francesco Canovaro, Cosimo Lorenzo Pancini and Andrea Tartarelli as a research on the subtleties and the variations on the theme of the geometric sans-serif design. The original typeface has been completely redesigned and expanded to feature a wide range of eleven […]

36 Days Of Type

36 days of restless creativity, where participants are challenged to design a letter or number each day, resulting an outcome of the ability to represent the same symbol from many different perspectives. A project that aims to be a space for creation around typography and its endless graphic possibilities. I will be contributing to this […]

KORB – Ampersand “&” (0:40)

A visual collective interpretation of creativity process

Top 10 Fonts of 2013

A nice selection of top 10 fonts 2013 has been posted over at YWFT on the blog. For all typography lovers its well worth taking a look. Check out the collection here or purchase at  www.youworkforthem.com    

El Santos

Designed in late 2011, by fellow Leeds designer Si Billam . El Santos is a beautifully simple yet elegant typeface. Perfect ellipses contrast narrow uprights creating a unique decorative equilibrium within words, sentences and paragraphs. http://www.youworkforthem.com

Craig Ward – Typographic Illustrator

Known for his experimental style and hands-on approach to pushing type to its limits, Ward bridges the gap between illustration and typography,exploring the notion of word as image. His work tells stories with an inventive use of type and typography, bringing words to life; an approach he took literally for this year’s Creative Review Annual cover, for […]