I’ve been deep in ISF shaders lately, building packs for VS-2, and it’s lit a fire under me for realtime visuals in a way I wasn’t expecting. That’s led me into TouchDesigner — and with a 3D/C4D background, the new POPs operator family has been the thing pulling me in hardest. It feels like the […]

Matt Lamont’s extraordinary archive of 10,000+ printed design artefacts is heading into book form — and it deserves your attention. If you’ve spent any time in the world of graphic design, you’ll know how fragile its history can be. Magazines go out of print. Posters get lost. The work of whole movements disappears into boxes. […]

Press photography from The Wild God Tour ’24 – Copenhagen & Antwerp. 5 October ’24 – Copenhagen, Denmark – Royal Arena PHOTOGRAPHY: ANDREW WHITTON 30 October ’24 – Antwerp, Belgium – Sportpaleis PHOTOGRAPHY: SARAH RUSHTON studio.oneteneleven.com

I am excited to shared the work completed for Nick Cave – The Wild God Tour. Read more: studio.oneteneleven.com

Wild God – Frogs 3D Typography for the cover of ‘Frogs’, the second single from Nick Cave & The Bad Seeds’ album ‘Wild God’. Created with Cinema4D & Redshift, in collaboration with Thunderwing. studio.oneteneleven.com A special Limited Edition 7” on green coloured vinyl. nickcave.com

3D Typography for Nick Cave – Wild God Wild God is the eighteenth studio album by the Australian rock band Nick Cave and the Bad Seeds. The project was in collaboration with Thundering. Read more: studio.oneteneleven.com

Acid Grotesk is a typeface that’s stuck with me for reasons beyond the letterforms. It’s Folch Studio‘s custom typeface for Acid House Barcelona, and I have a real soft spot for Acid House’s home in Poblenou — one of my favourite areas to stay in the city, and a neighbourhood with its own unpolished, industrial […]

Ingram Mono is a sans serif font design published by Minor Praxis.

System Process Form by MuirMcNeil and Unit Editions. The ultimate typographic experiment – 7,762,392 typefaces from one of the world’s foremost typography studios.

RM Mono, the monospaced version of RM Neue. A type family that functions well for graphic design purposes, like posters, logos, and booklets.

Generisch Mono is a monospaced version of Generisch Sans. Generisch – a german equivalent of generic – sans serif typeface has gain its own place among designers and earn such popularity due to its “simple” design. Generisch is influenced by early grotesk typefaces from early 1900’s when sans was starting to get popular and used […]

Codec Pro is the newest incarnation of the Codec family, developed in 2017 by Francesco Canovaro, Cosimo Lorenzo Pancini and Andrea Tartarelli as a research on the subtleties and the variations on the theme of the geometric sans-serif design. The original typeface has been completely redesigned and expanded to feature a wide range of eleven […]

Inspiring motion work from Dia for A-Track, a DJ and record producer. Dia created a typographic identity system as the foundation for all design. A range of unique artwork created for varying assets working within a set of typographic driven parameters. From the more minimal expression of the brand seen in the website and tour […]

36 days of restless creativity, where participants are challenged to design a letter or number each day, resulting an outcome of the ability to represent the same symbol from many different perspectives. A project that aims to be a space for creation around typography and its endless graphic possibilities. I will be contributing to this […]

A visual collective interpretation of creativity process

A nice selection of top 10 fonts 2013 has been posted over at YWFT on the blog. For all typography lovers its well worth taking a look. Check out the collection here or purchase at www.youworkforthem.com    

Designed in late 2011, by fellow Leeds designer Si Billam. El Santos is a beautifully simple yet elegant typeface. Perfect ellipses contrast narrow uprights creating a unique decorative equilibrium within words, sentences and paragraphs. http://www.youworkforthem.com

Known for his experimental style and hands-on approach to pushing type to its limits, Ward bridges the gap between illustration and typography,exploring the notion of word as image. His work tells stories with an inventive use of type and typography, bringing words to life; an approach he took literally for this year’s Creative Review Annual cover, for […]